Professor Emeritus
Interdisciplinary Arts
Columbia College
e-mail: [email protected]
EDUCATION:
B.S. University of Massachusetts/Amherst 1970, Magna Cum Laude, Honors in Psychology
M.S. University of Wisconsin/Madison 1971, Educational Psychology
Ph.D. University of Wisconsin/Madison 1974, Interdisciplinary, Cognitive Psychology
PROFESSIONAL EXPERIENCE:
Professor Emerita, Interdiscplinary Arts, Columbia College Chicago 2015
Professor, Interdisciplinary Arts Department, Columbia College, Chicago 2012-2014
Chair, Interdisciplinary Arts Department, Columbia College Chicago 2006-2012
Professor, Department of Radio/Television/Film, Northwestern University 1995-2006
Director, MFA Graduate Program, Radio/Television/Film, Northwestern University
Director, Center for Interdisciplinary Research in the Arts, Northwestern University 1997-2005
Associate Dean, The Graduate School, Northwestern University 1999-2002
Chair, Department of Radio/Television/Film, Northwestern Univ 1992-94
Associate Chair, Department of Radio/Television/Film, Northwestern Univ1990-91
Head of Production, Dept of Radio/Television/Film, Northwestern Univ 1983-90
Associate Professor, Dept of Radio/Television/Film, Northwestern Univ1983-95
Assistant Professor, Radio-Television-Film, Northwestern Univ 1978-83
Faculty, William James College, Grand Valley State University 1975-78
Assistant Professor, Radio/Television/Film, Temple University 1974-75
FILMOGRAPHY/VIDEOGRAPHY/NEW MEDIA (with selected screenings):
Lives:Visible (2017), a film about the ephemeral nature of culture – both the celluloid
based snapshot and butch/femme pre-Stonewall lesbian lives.
Cinema Systers 2019
Lesbian Looks and Southern Arizona Senior Pride, Tucson AZ 2018
Sicilia Queer Film fest, Palmero Italy 2017
Reeling, Chicago’s LGBTQ International Film Festival 2017
Gene Siskel Film Center 2017
Center on Halsted, Chicago LGBTQ Center 2017
www.Queerfeast.com (1999-2014) Website installation of three interactive arratives
LEFTOVERS (2014) Digital Narrative. Producer, director, writer, editor. Experimental documentary about Chicago’s lesbian, pre-Stonewall lives told through the snapshots left behind by one couple.
Cinema Systers 2019
Lesbian Looks and Southern Arizona Senior Pride, Tucson AZ 2018
Indianaoplis LGBT Film Festival, Indianapolis Museum of Art 2017
Gene Siskel Film Center 2017
Korean Queer Film Festival, Seoul 2016
Dotdotdot open air Kurzfilmfestival 2016
61st International Short Film Festival Oberhausen 2015
Queer Lisboa, Portugal 2015
Reeling, Chicago’s LGBTQ International Film Festival 2015
MIX NYC 2015
MIXED GREENS (2004) CD-ROM. Interactive Narrative. Producer, director, writer, editor,
visual and interactive design. A do-it-yourself movie about identity, belonging, and the
things we desire.
Série Sortir de l’écran/Spoken Screen. La Centrale Galerie Powerhouse, Montreal 2007
Society of Cinema and Media Studies, Chicago 2006
Structural Elements, Chicago City Arts Gallery 2006
Viper International Festival of Film Video and New Media, Basel, Switzerland 2006
Society for Literature, Science, and the Arts, Chicago 2005
Gene Siskel Film Center, Chicago 2005 SeNef,
Seoul Net Festival 2005
iDEAs Exhibition, International Digital Media and Arts Association, Orlando 2005
UFVA Conference Exhibition, University of Toledo 2004
Console-ing Passions, Zeitgeist Multidisciplinary Arts Center 2004
VAD Festival Internacional de Video I Arts Digital, Girona, Spain 2004
JEWISH LOOKS (2002) Web-based essay/artwork. Producer, writer, visual and interactive design. A meditation on identity and assimilation. Created for: SFOnline, an online journal published by the Barnard Center for Research on Women, Barnard College. Issue 1.3, Winter 2003: Changing Focus: Photography and American Jewish Identity.
COCKTAILS & APPETIZERS (2001) CD-ROM. Interactive Narrative. Producer, director, writer, editor, visual and interactive design. On the performance of gender.
iDEAs Exhibition, International Digital Media and Arts Association, Orlando 2005
New World Gallery @ Radio Free Hamptons, Sag Harbor, NY 2004
Version >02: Digitalartsconvergence, Museum of Contemporary Arts/Chicago 2002
SeNef, Seoul Net Festival, Seoul Korea 2002
Contact Zones: the art of the CD-ROM, Nickle Arts Museum, University of Calgary 2002
Visibilla-Bologna 2002
Madrid Lesbian and Gay Film Festival 2002
Kino im Schulz, Cologne, Germany 2002
13th Paris Lesbian Film Festival 2001
17th Berlin Lesbian Film Festival 2001
UFVA Conference, Rochester 2001
London Lesbian and Gay Film Festival 2001
Houston Lesbian and Gay Film Festival 2001
Dallas Videofest 2001
MIX/NYC Gay and Lesbian Experimental Festival 2000
AS AMERICAN AS APPLE PIE (1999) CD-ROM. Interactive Narrative. Producer, director,
writer, editor, visual and interactive design. About food, sex, and family.
iDEAs Exhibition, International Digital Media and Arts Association, Orlando 2005
Version >02: Digitalartsconvergence, Museum of Contemporary Arts/Chicago 2002
SeNef, Seoul Net Festival, Seoul Korea 2002
Kino im Schulz, Cologne, Germany 2002
UFVA Conference, Rochester 2001
London Lesbian and Gay Film Festival 2001
GiG 2.0, Center Portion Gallery, Chicago 2000
Viper International Festival of Film/Video/New Media, Basel, Switzerland 2000
Zoie Online Film Festival, 1st Prize best experimental work 2000
Outfest, Los Angeles Gay and Lesbian Film Festival 2000
Dallas Videofest 2000
Society for Cinema Studies Conference, Chicago 2000
Intermedia Arts, Mpls 2000
Art in Motion Festival, USC 2000
Handbags & Hardware, Festival of Women’s Films, London 2000
MIX, NYC Gay and Lesbian Experimental Festival 1999
Mill Valley Film Festival 1999
University Film/Video Assoc Conference, Boston 1999
Interactive Frictions Conference, USC 1999
AS AMERICAN AS APPLE PIE is also incorporated into “HOME,” a web-based piece about home with 19 contributing artists. Annette Barbier and Drew Browning, project directors. “HOME,” with Apple Pie, has been shown at:
School of the Art Institute of Chicago, Betty Rymer Gallery, Dec-Feb 2002/3
Block Museum, Northwestern University, part of the permanent collection of The Virtual Block, from 9/25/01 and ongoing Ars Electronica Conference and Exhibition, Linz, Austria 2001
Inter Society for Electronic Arts, Paris, France 2000
Museum of Image and Sound, Sao Paolo, Brazil 2000
VISUAL AIDS (1997) 15 min. Video. Producer. Two companion videos on HIV/AIDS, one from the perspective of urban, high-school age heterosexual women; the other from the perspective university age gay men.
Vital Links Conference, Toronto 1998
Fast Forward Conference, University of Chicago 1998
Mary and Leigh Block Museum, Northwestern University 1997
State of Illinois Building May 1997
MOTHER RIGHT (1983) Video. 25 min. Producer, writer, director, camera, editor. A documentary video about my mother.
Southern Circuit Tour of 6 cities sponsored by South Carolina Arts Commission and NEA l983: New Orleans Contemporary Arts Center; Birmingham Museum of Art; University of South Carolina; Georgia State University; Southwestern University at Memphis; College of Charleston
WHAT YOU TAKE FOR GRANTED...(1983) 75 min. Film. Producer, director, writer, editor. A fiction/documentary hybrid about women who work in traditionally male jobs, both working class and professional.
Cincinnati Museum 1989
American Association of University Women, Chicago 1988
Gay Film Festival, Australian Film Institute 1987
United Nations "End of the Decade" Women's Inter’l Conf, Nairobi, Kenya l985
New York Gay and Lesbian Film Festival 1985
INDEPENDENT FOCUS, WNET-13, NYC-PBS May 12, l985
Luna Films, Festival of Women's Films, Rome 1984
Northwest Film Study Center, Portland Art Museum, August 1984
Society for Cinema Studies Conference, Madison 1984, curated
Tynedale International Film Festival 1983
London Film Festival 1983
Films in the Cities, St. Paul l984
Independent Features Market NYC 1883
IMAGE Film/Video, "Reel Women Film Festival," Atlanta 1983
Edinburgh International Film Festival 1983
Flaherty Film Seminar 1983
National Women's Studies Association Conference 1983
Film Center, Art Institute of Chicago 1983
DAUGHTER RITE (1978) 55 min. Film. Producer, director, writer, editor, cinematographer. Juxtaposing faux cinema verite with optically printed home movies, the film explores the emotional landscape of mothers and daughters.
Punta del Vista International Documentary Film Festival, Pamplona Spain 2010
Women’s Film Festival, Seoul 2006
Walker Art Center 1999
Museum of Modern Art 1997
Museum of Contemporary Art, Chicago, "Art in Chicago 1945-1995,” 1996
National Film Archive of the Republic of China 1994
Women Make Waves Film Festival, Taipei, opening night film 1994
Whitney Museum of American Art 1992
Women's International Film Festival, Sydney, Australia 1993
SBS TV, Australia 1991
Hong Kong Arts Center 1990
Art Institute of Chicago,"Partners in Purchase: Selected Works, 1976-87" 1989
Wellongton International Women's Film Festival, New Zealand 1988
Honolulu Academy of the Arts, Honolulu 1986
Rio de Janeiro International Film Festival 1985
INDEPENDENT FOCUS/WNET-13, NYC-PBS l983
Boston Film/Video Foundation 1983
Southern Circuit Tour of 6 cities sponsored by South Carolina Arts Commission
and NEA l983: New Orleans Contemporary Arts Center; Birmingham Museum
of Art; University of South Carolina; Georgia State University; Southwestern
University at Memphis; College of Charleston
American Film Institute, Kennedy Center, Washington, DC. 1983
Northwest Film Study Center 1983
National Film Theatre, Australia 1981
Intern’l Conference of Women Film and Video Makers, Amsterdam1981
Modern Language Association, Houston 1981
Denver Center Cinema 1981
New Directors/New Films, Film Preserve, Sante Fe 1980
New Directors/New Films, Museum of Modern Art 1980
Berlin International Film Festival 1980
Little Bit Ritzy Cinema, London theatrical engagement 1979
Neighborhood Film Project, Annenberg Cinematheque 1979
The Milky Way, European Festival of Women's Culture, Amsterdam 1979
Edinburgh International Film Festival 1979
American Film Festival, NYC 1979, Finalist
Athens International Film Festival 1979, Golden Athena, Best Experimental Narrative
Walker Art Center 1979
CLAIRE ZEISLER: TEXTILE ARTIST (1979) Video. 31 min. Artistic Consultant and Cinematographer. Documentary on the artist’s life and work.
Conference on Women in Art, University of Pittsburgh 1980
Moore College of Art, Philadelphia 1979
SECRETARY TAPES (1976) Video. Five 30 min videos. Videomaker (with Fina Bathrick). Documentary on 5 secretaries at work.
PARTHENOGENESIS (1975) Film. 25 min. Producer, director, editor, cinematographer.
Experimental documentary about two women musicians, a student and her teacher.
WHA-TV, PBS Madison, Wisconsin Feb 1976
Edinburgh International Film Festival 1975
INTEGRATION (1974) Film. 8 min. Filmmaker. Experimental.
WTVS-PBS, Detroit March 1978
Anthology Film Archives NYC 1977
13th Ann Arbor Film Festival 1975
4th Annual International Women's Film Festival, Philadelphia 1975
Womanview Refocus, Iowa City 1974
Films by Women/Chicago Festival 1974
SELF DEFENSE (1973) Film. 4 min. Filmmaker. Experimental.
Anthology Film Archives, NYC 1977
4th Annual International Women's Film Festival, Philadelphia 1975
Womanview Refocus, Iowa City 1974
Films by Women/Chicago Festival 1974
FILM DISTRIBUTION:
Women Make Movies, USA
The Other Cinema and Cinenova, Great Britain
Cinemien, Netherlands
Freunde de Deutschen Kinemathek, Germany
B & W Studio, Taiwan
Agence Topo, Canada
Canadian Filmmakers Distribution Center
PLAYS AND PERFORMANCES:
The Simple Act of Seeing (1993) Writer, director and performer. A performance piece about mothers and daughters, and the thin line between fiction and lived experience in autobiographical works.
C.J. Jung Institute/Chicago 1994
Northwestern University 1992
Speaking the Unspeakable (1992) Writer, director and performer. A performance piece for three actors about the language of trauma, and power within the family.
Chicago Institute for Psychoanalysis, Chicago Cultural Center 1993
PANDORA (1991) 60 min. Writer and director. One-act play for five actors.
Theatrical run April/May City Lit Theater, Chicago 1991
AWARDS AND DISTINCTIONS:
3 Arts Foundation hybrid Grant/Crowdfunding Project 2015
Chicago Department of Cultural Affairs, Independent Artist Grant 2014
NEA Grant ($50,000, one of 4 collaborators) for Expanded Artist Books (artists books for the iPad) 2012
Faculty Development Grant, Columbia College Chicago 2012
Center for Instructional Technology, Technology Fellow 2011
Faculty Development Grant, Columbia College Chicago 2007
Center for Interdisciplinary Research in the Arts Grant 2003
Illinois Arts Council, Artists Fellowship in New Media 2002
University Research Grants Committee Award 2001
Rockefeller Fellowship Nominee 2001, 2002, 2003
Illinois Arts Council, Artists Fellowship in Screenwriting 1995
Van Zelst Research Professor Chair in Communications 1991-92
Illinois Arts Council, Technical Assistance Grant 1990
Educational Excellence Grant, Northwestern University 1990
Alumnae Board Distinguished Professorship Award 1990
National Endowment for the Humanities, Media Planning Grant 1986
National Endowment for the Arts, Independent Filmmaker Grant 1985
Illinois Arts Council, Artists Fellowship in Film l985
Illinois Arts Council, Chairman's Grant 1985
National Endowment for the Arts, Independent Filmmaker Grant 1981
PUBLICATIONS:
Book
Home Movies and Other Necessary Fictions. University of Minnesota Press, 1999.
This book examines the relationship between psyche and art, history and memory, fiction and non-fiction, memory and aesthetic strategies.
Krasna-Krause Moving Image Book Award 1999 (International) Special Commendation
Kovacs Book Award, Society for Cinema Studies 1999, Special Commendation
Outstanding Book Award, Organization for the study of Communication, Language and Gender 1999
Book Chapters
“What’s Wrong With This Picture,” in Picturing Texts, Ed. Lester Faigley, Diana George, Anna Palchik, and Cynthia Selfe W.W. Norton, New York, 2003
Chapter-length interview in Women of Vision: Histories in Feminist Film and Video, ed. Alexandra Juhasz, University of Minnesota Press, 2001
"Fleeing from Documentary: The Ethics of Autobiographical Filmmaking," in Feminism and Documentary, ed. Diane Waldman and Janet Walker, University of Minnesota Press, 1999
"Women's Film Production: Going Mainstream," in The Female Spectator: Looking at Film and TV, ed. E. Deidre Pribram, Verso Press, London and Routledge, Chapman & Hart. 1988.
Articles
“Experimental Documentary: Some Questions,” Millennium Film Journal, Lucas Hilderbrand and Lynn Sachs, ed, Vol 51, 2009
"Concerning DAUGHTER RITE," Journal of Film & Video, Vol. 38, No 3-4, SummerFall 1986
"Michelle Citron," in The Hand That Holds The Camera: Interviews with Women Film and Video Directors, by Lynn Fieldman Miller, Garland Press, NY, 1988.
"Exploring What We Take For Granted: Interview with Michelle Citron," Mimi White, Afterimage, December 1984
"If I Even Stop Believing...", Heresies, No 16, Fall 1983
"National Women's Studies Conference," Quarterly Review of Film Studies, Vol 9, No 2, Spring 84, p. 64
"The Woman with the Movie Camera: Strategies for Teaching Film Production to Women," co-authored with Ellen Seiter. Jump Cut, No 26, Fall 1981. Reprinted in, Jump Cut: Hollywood, Politics, and Counter Cinema, ed. Peter Steven, Between the Lines, Toronto, 1985
"Lesbians & Film," Co-edited with E. Becker, J. Lesage, B.R. Rich, Special Section, Jump Cut, No 24/25, Spring 1981. Reprinted in, Jump Cut: Hollywood, Politics, and Counter Cinema, ed. Peter Steven, Between the Lines, Toronto, 1985; and Out in Culture: Lesbian, Gay and Queer Essays in Popular Culture, ed. Alexander Doty & Corey K. Creekmeer, Duke University Press, 1995
"Films of Jan Oxenberg," Jump Cut, No 24/25, Spring 1981. Reprinted in, Jump Cut: Hollywood, Politics, and Counter Cinema, ed. Peter Steven, Between the Lines, Toronto, 1985; and Films for Women, Ed. Charlotte Brunsdon, BFI Books, British Film Institute, London, 1986
"Women & Film: A Discussion of Feminist Aesthetics," New German Critique, No 13, Winter 1978. Reprinted, Frauen & Film, 21, Sept. 1979
"Carrie Meets Marathon Man," Jump Cut, No 14, Spring 1977 (psychology publications from mid-70s, not listed)
CONFERENCE PAPERS & PRESENTATIONS (selected):
“Public Media 2.0: the Future of Urban Documentary and Social Change,”
Opening night event, presentation of work and round-table discussion, with Steve James
and B. Ruby Rich, MCA/Chicago and SCMS 2013
“How Should We Tell Identity Stories: a case for non-linear story-telling,” presentation, SCMS, Chicago 2013
“Is this Cinema: narrative and the digital,” Chicago Film Seminar, Chicago 2010
Documentary Film and Feminism, Punta del Vista International Documentary Film Festival, Pamplona Spain 2010
Videophiles and Video Files: the internet life of the moving image, Society for Cinema and Media Studies, Chicago 2006
Feminist Visualities, Cornell University 2007
“Image, Sense, Technology,” Panel Chair and presenter, Society for Literture, Science,
and the Arts, Chicago 2005
“New Digital Cinema: Narrative and Interactivity,” National Film Theatre, British Film Institute, London 2001
“Long Night’s Journey into Day: South Africa’s Search for Truth & Reconciliation… filming trauma,” Int’l Society for Traumatic Stress Studies, New Orleans 2001 Opening Plenary, “Meeting the Challenges of Teaching Production in a University Environment,” University Film/Video Association, Rochester 2001
“The Alchemy of Experience and Imagination: The Voice of Personal Documentary,” Panel Moderator, UFVA, Rochester 2001
“Interactive Fictions,” presentation, UFVA, Rochester 2001
Introduction and response to “Poems that Go,” Interactions Series, Electronic Literature Organization and UIC 2001
“Narrative and Trauma: Two Films About Rape,” Int’l Society for Traumatic Stress Studies, San Antonio 2000
“Celluloid History: Narrative and Documentary Strategies in Films on Queer History,” Panel Moderator. The Future of the Queer Past: A Transnational History Conference, University of Chicago 2000
Keynote Address, Festival 2000: Memory, Gender, and Representation, Grand Valley State University 2000
Featured Speaker, “The Darkened Heart: Lessons in Love from the Shadows,” Fires in the Heart, C.J. Jung Conference, Chicago 2000.
“Getting the Story Straight: Telling Truths Through Fiction,” Women in the Director’s Chair, 19th Annual Film and Video Festival, 2000
"Borders and Fragments," Interactive Frictions, USC 1999
“Constructing the self” the “I” in documentary,” Society for Cinema Studies 1999
"The autobiographical/biographical conundrum," Visible Evidence, SFSU 1998
Keynote address, "Outside and Inside the Mainstream: Experimental Film," NonMainstream Filmic Practices Conference, University of Graz, Austria 1996
"the vibration of experience: The Self Constructs Images of the Self," UFVA Conference, Temple University 1993
"The Unreliable Aesthetic," Documenting Fictions Conference: The Documentary Dimensions of the Fiction Film, Bibliotheque Nationale, Luxembourg 1993
"What's Wrong with this Picture," International Semiotics Society 1991
"Autobiographical Filmmaking," Society for Cinema Studies Conference, Wash DC 1990
"Objectivity/subjectivity in Narrative and Documentary," American Museum for the Moving Image, seminar on Philosophy and Film, NYC 1986
"Sex, Race, & Music Videos," Cornell Cinema, Johnson Museum 1986; Visual Studies Workshop, Rochester 1985; Film in the Cities, Minneapolis 1985
"Autobiographical Film," Conference on "The Real, The Reader," University of Minnesota 1985
"Documentary Filmmaking: Aesthetics & Political Questions," Symposium of Women Made Films, Walker Art Center, Minneapolis 1983
"Feminist Film Criticism," Paper, National Women's Studies Conference, Also, Retrospective of films and panel on "Daughter Rite: Mainstreaming Feminist Expression." Ohio State University 1983
"Politics, Aesthetics, & Audience," Workshop, Neighborhood Film Project, International House, Philadelphia 1983
"Women in Filmmaking," Symposium "Women in Film III," American Film Institute, Kennedy Center, Wash DC 1983
"Feminist Film Theory and Aesthetics," Canadian Images Film Conference, Trent University, Ontario 1982
"Strategies for a More Progressive Aesthetic," International Feminist Film/Video Conference, Amsterdam 1981
"The Film Body," Milwaukee Conference on "Cinema & Film, Conditions of Presence,” University of Wisconsin/Milwaukee, Center for 20 C. Studies 1980
"Feminist Film Criticism in Jump Cut", Edinburgh International Film Festival Conference on "Feminism & Film" 1979
FILMS and CD-ROMs IN THE COLLECTION OF (selected from over 250):
Arizona State University; Art Institute of Chicago; Australian Film and Television School; Barnard College; Bates College; Brown University; Bryn Mawr; Carleton University; CIC Film Collection (consortium Big Ten Universities and University of Chicago); Claremont College; CUNY system; DePaul University; Donnell Media Center, New York Public Library; Duke University; ELTE Media Studies Center, Budapest, Hungary; Evergreen State College; Film Society of Seoul Korea; Franklin & Marshall College; George Mason University; George Washington University; Hong Kong University; Indiana University; Ithaca College; Loyola University; Maryland College of Art; McGill University; Michigan State University; Monash University, Australia; National University of Singapore; New Hampshire Department of Education; New York University; Ohio State University; Ohio University; Pennsylvania State University; Queens University, Canada; Rose Goldsen Archive of New Media Art, Cornell University; Rutgers University; San Francisco State University; Stanford University; Swarthmore College; Temple University; Tokyo Junshin Women’s College; University of Alberta; University of Arizona; University of California/Irvine; University of California/Santa Barbara; University of California/Santa Cruz; University of California/Riverside; University of Florida; University of Glasgow; University of Illinois; University of Massachusetts/Amherst; University of Madrid; University of Melbourne, Australia; University of Oregon; University of Southern California; University of Texas/Austin; University of Toronto; Wayne State University; USDA Forest Service; Yale University
VISITING ARTIST/LECTURES (selected):
Athens International Film Festival, Athens, OH: Big Muddy Film Festival: Chinese University of Hong Kong: Concordia University, Montreal; Cornell Cinema, Johnson Museum; DePaul University; Hong Kong University; Hong Kong American Center; Indiana University; Memphis College of Art; National Film Theatre, British Film Institute; New York University; Ohio State University; PRAXIS - Canadian Film Development Workshop, Guest Director; Rutgers University; School of the Art Institute of Chicago; Southern Illinois University; Temple University; The John Hopkins University; University of Arizona; University of Chicago; University of Colorado; University of Graz, Austria; University of Illinois; University of Michigan; University of Quebec, Montreal; University of Southern California; University of Wisconsin/Madison; Visual Studies Workshop, Rochester; Walker Art Center; Wellesley College
BOOKS & ARTICLES on my work (selected):
“Identity, interactivity, and performativity in Michelle Citron’s Queer Feast, Kathleen Scott, JumpCut, No. 54, Fall 2012.
“If I Am (Not) For Myself,” Sophie Mayer, in The Cinema of Me: Self and Subjectivity in First-Person Documentary, Ed. Alisa Lebow, Columbia University Press, NY, 2012
“Making Media: Foundations of Sound and Image Production,” Jan Roberts-Breslin, Focal Press, NY, 2002
“Daughter Rite” and “Daughters of Chaos,” Studien zum amerikanischen Dokumentarfilm, Susan Rieser and Klaus Rieser-Wohlfarter, Wissenschaftlicher, Trier, Germany 1996
"Concerning DAUGHTER RITE," Journal of Film & Video, Vol. 38, No 3-4, SummerFall 1986
"Michelle Citron," in The Hand That Holds The Camera: Interviews with Women Film and Video Directors, by Lynn Fieldman Miller, Garland Press, NY, 1988.
"Exploring What We Take For Granted: Interview with Michelle Citron," Mimi White, Afterimage, December 1984
"If I Even Stop Believing...", Heresies, No 16, Fall 1983
"The Woman with the Movie Camera: Strategies for Teaching Film Production to Women," co-authored with Ellen Seiter. Jump Cut, No 26, Fall 1981. Reprinted in, Jump Cut: Hollywood, Politics, and Counter Cinema, ed. Peter Steven, Between the Lines, Toronto, 1985
"Lesbians & Film," Co-edited with E. Becker, J. Lesage, B.R. Rich, Special Section, Jump Cut, No 24/25, Spring 1981. Reprinted in, Jump Cut: Hollywood, Politics, and Counter Cinema, ed. Peter Steven, Between the Lines, Toronto, 1985; and Out in Culture: Lesbian, Gay and Queer Essays in Popular Culture, ed. Alexander Doty & Corey K. Creekmeer, Duke University Press, 1995
"Films of Jan Oxenberg," Jump Cut, No 24/25, Spring 1981. Reprinted in, Jump Cut: Hollywood, Politics, and Counter Cinema, ed. Peter Steven, Between the Lines, Toronto, 1985; and Films for Women, Ed. Charlotte Brunsdon, BFI Books, British Film Institute, London, 1986
"Women & Film: A Discussion of Feminist Aesthetics," New German Critique, No 13, Winter 1978. Reprinted, Frauen & Film, 21, Sept. 1979
REVIEWS and EXTENDED CITATIONS (selected from hundreds):
Home Movies and Other Necessary Fictions, Aufderheide, Patricia, Feminist Studies,
Spring 2001
Bonomo, Joe, The Georgia Review, Fall 1999 (Home Movies)
Sherman, Suzan, Bomb, No. 68, Summer 1999 (Home Movies)
Camper, Fred, Chicago Reader, Nov 13, 1999 (Home Movies)
Inness, S.A., Choice, March 1999 (Home Movies)
Publisher's Weekly, Oct 5, 1998 (Home Movies)
Nowell-Smith, Geoffry, ed., The Oxford History of Cinema Worldwide, Oxford
University Press, 1996
Bordwell, David & Kristin Thompson, Film History: An Introduction, McGraw-Hill,
1994
Kuhn, Annette, Women's Pictures: Feminism & Cinema, 2nd edition, Verso Press, London, 1994. (also, still from Daughter Rite was the cover of first edition, 1983)
Carson, Diane, Linda Dittmar, and Janice Welsch, Multiple Voices in Feminist Film Criticism, University of Minnesota Press, 1994
Gallagher, Margaret, "Women and Men in the Media: Production and Media Content," Communication Research Trends, Vol 12, No 1, 1992, p.11
List, Christine, "Spies Like Us," Afterimage, Jan 1990
Kuhn, Annette, "Textual Politics," in Issues in Feminist Film Criticism, ed. Patricia Erens, Indiana University Press, 1990, pp. 250-267
George, Laura, J., "Reading the Revolution in Film and Television: A Review Essay," Feminisms, Vol 2, No 2, Spring 1989
Ellis, Jack, The Documentary Idea: A Critical History of Engligh-Language Documentary Film and Video, Prentice Hall, 1989
Turim, Maureen, "Household Effects in the Feminist Avant-Garde," Journal of Film & Video, Vol. 38, No. 3-4, Summer-Fall 1986
Rabinovitz, Lauren, "What You Take For Granted," Afterimage, Dec. 1984
Hulser, Kathleen, "Ten Cheap Movies and How They Got That Way," American Film, May 1984
Elam, JoAnn, "Working In A Man's World," Jump Cut, No 29, Winter 1983
Pena, Richard, "Diverse and Lively Makeup of Chi Indie Filmmakers," Variety, November 30, 1983
William's, Linda, "Women's Work," Reader, Chic, May 13, 1983. reprinted as "What You Take For Granted...", in New Challenges for Documentary, ed. Alan Rosenthal, University of California Press, Berkeley, 1988
Kaplan, E. Ann, Women and Film: Both Sides of the Camera, Methuen, NY & London, 1983. Chapter 12
Williams, Linda and B. Ruby Rich, "The Right of Re-Vision: Michelle Citron's DAUGHTER RITE," Film Quarterly, Vol. 25, No 1, Fall 1981, Reprinted in Movies & Methods, ed. William Nichols, University of California Press, Berkeley, 1986
Skye, Charlotte, Film Library Quarterly, Vol. 13, No 2-3, 1980
Canby, Vincent, The New York Times, Apr. 19, 1980
Feuer, Jane, "Living with Our Pain and Love," Jump Cut, No 23, Fall 1980
Clarke, Jane & H. Mackintosh, "Film Form Feminism," TimeOut, London, Oct 20, 1979
Malcom, Derek, The Guardian, London, Oct. 25, 1979
Rich, B. Ruby, "Remembering Mama," Reader, Chicago, May 18,1979